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............................................................................................................................Gender
and Society in Cinema
..
PROGRAMME.....FILMS
A-Z .....DIRECTORS
..... VENUES.....CREDITS
+ IMPRINT.
Artistic direction:
Sandra Schäfer,
Elfe Brandenburger
Artistic Programming:
Elfe Brandenburger, Diana Saqeb, Sandra Schäfer, Malek Shafi'i,
Zara Zandieh
Production Management:
DepArtment / Harriet Lesch
Print Coordination:
Tanja C. Horstmann
Editorial:
Harriet Lesch, Diana Saqeb, Sandra Schäfer,
Malek Shafi'i, Zara Zandieh
Translations:
Karl Hoffmann, Mohammad Ali Karimi
Produced by mazefilm
in co-operation with CACA-Kabul
www.cacakabul.org
Curators
Sandra Schäfer
(Berlin)
The filmmaker and curator of film programmes lives and works in
Berlin. She studied art, politics and sociology in Kassel, London
and Karlsruhe. She has made repeated visits to Kabul and Tehran
since 2007 to work together with Elfe Brandenburger on the documentary
film Passing the Rainbow and do research for the film festival Kabul/Teheran:
1979ff. She curated film series on Afghanistan and Tehran in Belfast,
Lüneburg, Karlsruhe, and Berlin, and is co-editor of the book
Kabul/ Teheran 1979ff: Filmlandschaften, Städte unter Stress
und Migration, published in 2006 by b_books, Berlin. Videos, films
and video installations (choice): The Making of a Demonstration
(2004), A Country's new Dawn (2001) and The invisible Services (2000).
Elfe Brandenburger
(Berlin)
The filmmaker participated in the artists' group minimal club, which
produced theatre and video projects as well as books and magazines.
Since 1985, she has also been working as a film editor. Her video
works, which were in part produced in cooperation projects with
Mano Wittmann, were shown at various venues and in different contexts.
She co-directed Passing the Rainbow which evolved out of the collaboration
with Sandra Schäfer on the short film The Making of a Demonstration.
The SPLICE IN film programme evolved out of the collaboration of
Sandra Schäfer and Elfe Brandenburger on the film Passing the
Rainbow
Diana Saqeb (Kabul)
The young Afghan filmmaker spent 26 years of her life in Tehran
and has now been living in Kabul again for a year. She is a member
of the artists' group CACA-Kabul. She had previously completed her
studies to become a film director at the art academy in Tehran.
Her first documentary film 25 Darsad ("25 Percent") deals
with five female members of parliament and their difficulties and
efforts in everyday life.
Malek Shafi'i (Kabul)
Born in 1974, Shafi'i has been making documentary
films in and outside of Afghanistan for the last 8 years. He completed
his education at Baagh Ferdaws Islamic Filmmaking Center in 1999
in Iran, and additionally attended a film production course in the
Netherlands.
Coming back to Afghanistan after 20 years of exile, it is five years
he has been living in Kabul, where he launched the Center of Art
and Culture of Afghanistan (CACA-KABUL). He also worked as a senior
advisor for the Radio Television Afghanistan.
He has made about 30 films; some of them received international
film awards from different countries. Up to the parliament (2005),
Drought in Hazarajat (2003), Pamir Territory (2003), End of the
Earth (2001) are the filmmaker's most renowned works.
Zara Zandieh (Berlin)
Zara Zandieh works as a video artist and filmmaker
in Berlin. She was involved in various art-projects questioning
issues of feminism and gender, migration, racism, and postcolonialism
in Germany.
She has been living in London for two years and finished her MA
in Gender, Ethnic Studies and Sexualities at the University of East
London in 2006. Her recent films are: close-distance (2006), Such
a strange time it is, my dear
(2007), Meine Geschwister und
Ich. ("My Siblings and Me"; 2008)
In her work she traces ties between people and their (hi)stories
by focusing aspects of memory and history, inclusion and exclusion,
space and belonging.
.............................................................................................................................................................................
funded by: The
German Federal Cultural Foundation

supported by:
Mama-Cash, Afghanistan Independent Human Rights Commission, GTZ,
Federal Ministry of Economic Cooperation and Development, DED, Heinrich
Boell Foundation;
     
in cooperation with:
Afghan Films, French Cultural Center, Goethe-Institute Kabul, Armanshahr;
Donya-ye zan, Mosharekat-e siassi;
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